- The man who hates Sundays is wearing dull colours and doesn’t seem to waste his money on clothes or expensive luxuries compared to the elderly who love Sundays having expensive cars wear colourful elderly clothes and waste their time with afternoon tea.
- It begins with a long shot of the man who hates Sundays as he sits alone on a bench. This simple shot highlights how he is alone with his views about Sunday. There is no music playing in the background of the shot to highlight him as being strange for not liking Sundays however as an audience member the silence draws in the truth about Sunday, all it really is, is another day. The shot then cuts to a close up of the man as he says how he wishes he lived in one continuous week, the close up is a personal shot as we begin to understand how he resembles Sunday as being the end of the week.
- The scene then cuts to a master shot of fields in the countryside whilst the non digetic sound of church bells ringing fade into the background. During the church bells ringing, there is a close up of someone polishing their car and a longshot of elderly people having afternoon tea this highlights how set up and artificial we have made Sundays, it shows how unneeded all these aspects of life are yet we indulge in them. It then cuts to a close up to two old men expressing their love for Sundays for two different reasons contrasting to the man who hates Sundays.
- A close up of someone trimming a bush causes for the scene to change as he cuts the bush the church bells stop and it cuts back to the long shot of the man at the beginning as he explains how he feels Sundays are an ‘imposition’, connecting back to the sudden cut to then next shot highlighting how he feels the fairy-tale aspect of Sundays is unnecessary.
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